Continued from part one Birgit Nilsson’s time at the Metropolitan Opera in New York left such a strong mark on her that she devoted a …
Birgit Nilsson: The soprano who had too beautiful a voice (1.)
Part one “They were sent from heaven” wrote Birgit Nilsson in her memoirs, looking back on the fortunate circumstance that one day in the early …
Virginia Zeani: From Transylvania to the World
She was one of those opera singers of the last century who are very often neglected: Virginia Zeani (1925 – 2023). In her younger years, …
Peter Anders: The Brilliant Tenor
At a time when all the top-class tenors had left Germany, he was one of the few remaining singers in the thirties and forties who …
Max Lichtegg: The Universal Tenor (3.)
Continued from part two In 1949 Max Lichtegg celebrated a kind of “return to Vienna” – to the city where his musical career had begun. …
Max Lichtegg: The Ambassador of Music (2.)
Continued from part one One might think that Max Lichtegg had also been a celebrated recording star by now: However, that was not the case. …
Max Lichtegg: The Charmingboy (1.)
Part one Looking back on her career, Maria Callas once said that the art of opera was dead and must be rejuvenated. This radical statement …
Joseph Schmidt: A Radio Tenor Finds His Way to the Stage
Continued from part one At the end of 1935, a radio broadcast with Joseph Schmidt was broadcast to the United States: sitting in front of …
Joseph Schmidt: The Microphone Was His Concert Hall
Part one Early in his career, Joseph Schmidt sang roles that pushed other tenors to the limits of their vocal abilities at the height of …
Christa Ludwig: It Takes More Than Only Primadonnas
The philosopher Theodor W. Adorno once said that a person’s musical education begins nine months before birth. Christa Ludwig proves Adorno right: In her memoirs, …