Arriving in New York and staying with her father, who lived there, little promising happened at first: more than once she recited for other opera singers and directors, who always told her that she still needed to work on her voice.
Maria soon suspected that she would have little chance of launching a career in New York.

By the end of 1956, Greek-American opera soprano Maria Meneghini Callas had several offers on her desk from well-known publishing houses, all competing to publish her memoirs. She turned down all the offers.
Now she was faced with the problem that many inaccuracies or, much worse, untruths about her person and her career were spreading.