{"id":674,"date":"2021-09-18T18:00:00","date_gmt":"2021-09-18T16:00:00","guid":{"rendered":"https:\/\/der-bussard.de\/en\/?p=674"},"modified":"2022-11-25T11:04:39","modified_gmt":"2022-11-25T10:04:39","slug":"dalida-the-exotic-chanteuse-1","status":"publish","type":"post","link":"https:\/\/der-bussard.de\/en\/2021\/09\/18\/dalida-the-exotic-chanteuse-1\/","title":{"rendered":"Dalida: The exotic chanteuse (1.)"},"content":{"rendered":"\n

Part one<\/h3>\n\n\n\n

It was a life marked by the longing for love: the life of Iolanda Cristina Gigliotti. Under her stage name Dalida, she became world famous.
She sang in no less than ten languages and was admired by a wide audience.
Her image: the “Madonna”. There were critics who compared Dalida to a beauty from ancient Egypt.
But who was Iolanda Gigliotti? <\/p>\n\n\n\n

On the trail of her dreams<\/strong><\/h4>\n\n\n\n
\n

“I live near the Champs-Elys\u00e9es, the most beautiful boulevard in the world, in an elegant neighborhood full of shop windows.”<\/p>\n<\/blockquote>\n\n\n\n

These were Dalida\u2019s words in a letter to her family when she first moved away from them. She grew up in Egypt, the only girl in a family of three children. <\/p>\n\n\n\n

It was her father who first introduced Dalida to music: he was the concertmaster at the Cairo Opera.
But music was not Dalida’s only passion: she loved the cinema and show business. Her idol was Rita Hayworth: Dalida followed her dreams… <\/p>\n\n\n\n

Miss Egypt<\/strong><\/h4>\n\n\n\n

In 1954, Iolanda became “Miss Egypt”: it was a long road. First, she had to convince her family that she wanted to enter a world that had little to do with family life in Egypt. Dalida knew she was made for the world.
French director Marc de Gastyne made a film about ancient Egypt, “The Mask of Tutankhamun.” Dalida plays a spy \u2013 a short role, but her first film role.
In Marc de Gastyne, Iolanda had found an impresario: He was convinced that she should go to Paris…. <\/p>\n\n\n\n

New life in Paris<\/strong><\/h4>\n\n\n\n

No sooner said than done: on December 25, 1954, Iolanda set off for Paris: Although she knew she could have signed a five-year contract with the Egyptian studio \u201eZarpanelli\u201c, she left her home country.
In Paris, life was not easy: even though she kept in touch with her manager, there was no sign that a great career was ahead of her. Paris is not Cairo: in Paris, Edith Piaf, Gloria Lasso and Jacqueline Fran\u00e7ois ruled the stages.
“It was still fashionable for simple girls in plain black dresses to stand motionless behind their bulky microphones, moving only their hands,” as Catherine Rihoit and Dalida’s brother Orlando write in their biography of Dalida.<\/p>\n\n\n\n

La Villa d’Este<\/em><\/strong><\/h4>\n\n\n\n

Chanson singers like Edith Piaf came from the time of the Second World War: they were the singers who reminded the soldiers of their girlfriends in the Fatherland. That’s where the simplicity of this generation of singers came from: the soldiers’ girlfriends were rarely glamorously dressed women.
In the fifties, it was time for a new generation of female singers.
Although acting was Dalida’s great dream, she chose another form of entertainment: cabaret. She took singing lessons from an authoritarian singing teacher \u2013 there was a heated relationship between the two. But the singing lessons paid off: she was hired by the renowned cabaret Villa d’Este.<\/em> <\/p>\n\n\n\n

At this point in her career, she bore the stage name “Dalila” \u2013 in reference to the Old Testament. At the Villa d’Este<\/em>, Iolanda met the writer and scriptwriter Albert Machard. He advised her to change her stage name to Dalida: Now Iolanda had a unique name. A name that would go around the world with her singing.
Dalida soon felt the fame of Villa d’Este<\/em>: she was once visited by King Farouk of Egypt. He learned that an Egyptian woman had become the new star of the Villa d’Este<\/em>… <\/p>\n\n\n\n

The decisive day<\/strong><\/h4>\n\n\n\n

On April 9, 1956, a competition for amateurs was held at the Olympia: “Les Num\u00e9ros 1 de demain” (engl.: “The Number One Singers of Tomorrow). Dalida participated with the song Etrang\u00e8re au paradis <\/em>(engl.: Stranger In Paradise) \u2013 one of Gloria Lasso’s signature tunes. She risked being compared to Gloria Lasso. And she survived the comparison: she convinced Lucien Morisse, the program director of the radio station Europe 1, of her talent. The meeting of the two was a “coincidence”: a few hours before the competition, music publisher Eddie Barclay and Lucien Morisse were playing the drinking game 421. They couldn’t decide what to do in the afternoon and let the outcome of the game decide. Lucien wanted to visit Bruno Coquatrix, the owner of the Olympia, and listen to the contestants. Barclay wanted to go to the movies.
Lucien won. <\/p>\n\n\n\n

Success<\/strong><\/h4>\n\n\n\n

There is only one word that describes Dalida career after her meeting with Lucien Morisse: Success.
“Bruno Coquatrix is my success. Eddie Barclay is my money. Lucien Morisse is my heart.”
This is Dalida’s opinion about the beginning of her career.
The search for new managers was successful \u2013 now there was a new search: the perfect chanson had to be found for Dalida.<\/p>\n\n\n\n

In October 1956, six months after the contest, Lucien Morisse had a revelation: he had discovered the Neapolitan song Guaglione: for France, he had chosen the French translation of the song, Bambino<\/em>. Dalida recorded the song overnight and Morisse had it played around the clock on Europe 1. So it was only a matter of time before the record became a box office hit and everyone who listened to the radio took notice of Dalida: 1956 was the long-awaited year of success for Dalida.<\/p>\n\n\n\n

After her phenomenal success, she took the stage at the Olympia as the opening act for Charles Aznavour \u2013 it was not to be the last time she performed at the legendary Olympia…  <\/p>\n\n\n\n

Simon von Ludwig<\/a><\/p>\n\n\n\n

Part two.<\/a><\/p><\/blockquote><\/figure>\n\n\n\n

Main sources: Catherine Rihoit avec Orlando: “Dalida \u2014 Mon fr\u00e8re, tu \u00e9criras mes m\u00e9moires”, 2016 Plon and the movie “Dalida” by Lisa Azuelos.<\/em><\/p>\n\n\n\n

Cover picture: \u00a9 Simon von Ludwig<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

It was a life marked by the longing for love: the life of Iolanda Cristina Gigliotti. Under her stage name Dalida, she became world famous.
\nShe sang in no less than ten languages and was admired by a wide audience.
\nHer image: the “Madonna”. There were critics who compared Dalida to a beauty from ancient Egypt.
\nBut who was Iolanda Gigliotti?\u00a0<\/p>\n","protected":false},"author":1,"featured_media":1328,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[101,122,4],"tags":[74,115,139,138],"class_list":["post-674","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-chanson","category-music","tag-art","tag-chanson","tag-dalida","tag-france"],"yoast_head":"\nDalida: The exotic chanteuse (1.) – Der Bussard | EN<\/title>\n<meta name=\"description\" content=\"It was a life marked by the longing for love: the life of Iolanda Cristina Gigliotti. 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