{"id":1278,"date":"2022-07-01T22:15:00","date_gmt":"2022-07-01T20:15:00","guid":{"rendered":"https:\/\/der-bussard.de\/en\/?p=1278"},"modified":"2023-05-15T07:27:17","modified_gmt":"2023-05-15T05:27:17","slug":"john-barry-what-would-be-a-film-without-music","status":"publish","type":"post","link":"https:\/\/der-bussard.de\/en\/2022\/07\/01\/john-barry-what-would-be-a-film-without-music\/","title":{"rendered":"John Barry: What would be a film without music?"},"content":{"rendered":"\n<p class=\"has-drop-cap\">His father was a projectionist and his mother was a classical pianist: one of the most famous film composers of the 20th century grew up in the world of film and in the world of music at the same time &#8211; in the course of his life, John Barry understood like no other how to combine these two worlds.<br>When the sound film replaced the silent film &#8211; Barry&#8217;s father was a projectionist during the silent film era &#8211; it was assumed that there would be far fewer good sound films than good silent films. This was based on the assumption that only a few directors and composers would have the gift of working together to create a film with dialogue and musical accompaniment at the same time. The fear was that the dialogues that had now become possible would completely displace film music.<br>Before the invention of sound film, films were accompanied live in theaters by a silent film orchestra or a piano.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>John Barry practically grew up in the cinema.<\/p><\/blockquote><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>James Bond<\/strong><\/h4>\n\n\n\n<p>In the course of his career, John Barry composed the music for eleven of the <a href=\"https:\/\/der-bussard.de\/en\/category\/movie-tv\/james-bond\/\" target=\"_blank\" rel=\"noreferrer noopener\">James Bond<\/a> films: In doing so, he influenced the James Bond film series like no other composer. Barry arranged Monty Norman&#8217;s <em>James Bond Theme<\/em> and made it one of the most famous themes in film history: without the <em>James Bond Theme<\/em>, the Bond films would be unthinkable.<br>But how did it come about that the James Bond producers hired John Barry to arrange the music for the first Bond film <em>Dr. No<\/em> (1962)?<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Youth &amp; Career Start<\/strong><\/h4>\n\n\n\n<p>There&#8217;s no question that John Barry was introduced to the world of film at an early age: his father owned a chain of six movie theaters in northern England. Barry practically grew up in the cinema.<br>In the fifties, Barry arranged music for various orchestras before forming his own band, the <em>John Barry Seven<\/em>, in 1957.<br>Between 1959 and 1962, Barry worked for the music label EMI, arranging orchestral accompaniments for various singers with an EMI contract. He arranged numerous songs for singer Adam Faith.&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Breakthrough<\/strong><\/h4>\n\n\n\n<p>When Adam Faith starred in his first film, John Barry composed the soundtrack for the film: <em>Beat Girl <\/em>(1960) was John Barry&#8217;s first work as a film composer. In the sixties John Barry composed the soundtracks for many other Adam Faith movies.<br>His engagements for the Adam Faith films attracted the interest of the producers of the first Bond film, <em>Dr. No<\/em>, who were looking for a suitable composer for their film.<\/p>\n\n\n\n<p>At the end of June 1962, the <em>James Bond Theme<\/em> was recorded for the first time with the <em>John Barry Seven &amp; Orchestra<\/em>. Officially, John Barry was listed as the arranger of the <em>James Bond Theme<\/em>.<br>The collaboration proved successful: John Barry was also hired for the next Bond film, <em>From Russia With Love<\/em> (1963). James Bond meant the big breakthrough of John Barry&#8217;s career.<\/p>\n\n\n\n<p>The collaboration between the James Bond producers and John Barry continued until 1987 and the Bond film <em>The Living Daylights<\/em>: The music for the James Bond films is among John Barry&#8217;s best-known works. In the seventies and eighties, Barry knew how to incorporate contemporary music into Bond soundtracks: He stayed true to the classical-influenced James Bond theme, yet works like <em>All Time High<\/em> and <em>A View to a Kill<\/em> demonstrate Barry&#8217;s ability to blend pop music with classical music to appeal the audience.&nbsp;<\/p>\n\n\n\n<p>When Barry last composed the James Bond music for <em>The Living Daylights<\/em> (1987), he made a cameo appearance conducting an orchestra in the film&#8217;s final scene.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>James Bond meant the big breakthrough of John Barry&#8217;s career.<\/p><\/blockquote><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Pioneer<\/strong><\/h4>\n\n\n\n<p>John Barry was a pioneer in film music: For the score of <em>On Her Majesty&#8217;s Secret Service <\/em>(1969), John Barry used synthesizers \u2013 a novelty in film music at the time. John Barry was usually responsible for the entire musical background of a film \u2013 not just the title song. As a result, many films earned critical acclaim for their John Barry scores. Films like <em>Out of Africa<\/em> (1985) or <em>Dances with Wolves<\/em> (1990) would be hard to imagine without John Barry&#8217;s music.&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong><em>Out of Africa<\/em><\/strong><\/h4>\n\n\n\n<p>For the soundtrack to <em>Out of Africa<\/em>, John Barry worked with influences from traditional African music: right from the beginning of the film, it becomes clear that music plays a crucial role in the film. The piece <em>Flying Over Africa<\/em> makes the viewer believe that he is actually flying over the mountains and valleys of Kenya with Denys Finch Hatton and <a href=\"https:\/\/der-bussard.de\/en\/2021\/08\/14\/karen-blixen-the-storyteller\/\" target=\"_blank\" rel=\"noreferrer noopener\">Karen Blixen<\/a>. In <em>Out of Africa<\/em>, the music not only completes the plot of the film: John Barry proves here that a soundtrack can merge with the plot of a film. Listening to the <em>Out of Africa<\/em> soundtrack immediately brings the various scenes of the movie to life in front of the mind\u2019s eye. Only a few composers are able to accomplish this.&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Legacy<\/strong><\/h4>\n\n\n\n<p>Composing film music is about more than just composing: A film score must fit the rhythm, content, and emotional states of a film. It also involves knowing which film scene needs music and in which film scene merely realistic tones are appropriate.<br>John Barry knew all this: his legacy includes countless film scores. Among them are prominent examples such as the James Bond series, <em>Out of Africa<\/em> or <em>Dances with Wolves<\/em>.<\/p>\n\n\n\n<p><a href=\"https:\/\/simonvonludwig.com\" target=\"_blank\" rel=\"noreferrer noopener\">Simon von Ludwig<\/a><\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p><a href=\"https:\/\/der-bussard.de\/en\/2021\/11\/07\/the-music-of-the-james-bond-movies\/\">The music of the James Bond movies<\/a><\/p><\/blockquote><\/figure>\n\n\n\n<p><em>Cover picture: \u00a9 <a href=\"https:\/\/simonvonludwig.com\" target=\"_blank\" rel=\"noreferrer noopener\">Simon von Ludwig<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>His father was a projectionist and his mother was a classical pianist: one of the most famous film composers of the 20th century grew up &#8230;<\/p>\n","protected":false},"author":1,"featured_media":539,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[226,144,3,4],"tags":[15,77,45,62],"class_list":["post-1278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-music","category-james-bond","category-movie","category-music","tag-culture","tag-james-bond","tag-movie","tag-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>John Barry: What would be a film without music? 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