{"id":1263,"date":"2022-06-19T22:30:00","date_gmt":"2022-06-19T20:30:00","guid":{"rendered":"https:\/\/der-bussard.de\/en\/?p=1263"},"modified":"2023-06-30T19:01:10","modified_gmt":"2023-06-30T17:01:10","slug":"curd-jurgens-the-grand-seigneur-2","status":"publish","type":"post","link":"https:\/\/der-bussard.de\/en\/2022\/06\/19\/curd-jurgens-the-grand-seigneur-2\/","title":{"rendered":"Curd J\u00fcrgens: The Grand Seigneur (2.)"},"content":{"rendered":"\n

Continued from part one<\/a><\/h3>\n\n\n\n

His trip to America left a lasting impression on Curd J\u00fcrgens: On the one hand, he appreciated the courage of the U.S. cultural industry to combine old values with new ones. On the other hand, he was irritated by the way production companies treated their actors: In contrast to Europe, for many studios in America the actor was merely an instrument who had to adapt to the circumstances.
Without any doubt, Curd J\u00fcrgens hoped that his stay in the USA would help him to set foot in one of the Hollywood studios. Among others, the diseuse Greta Keller <\/a>accompanied him on his journey.<\/p>\n\n\n\n

A seemingly random photo of Knef and J\u00fcrgens innocently shopping in Hollywood seemed like a good opportunity for both to establish themselves as Hollywood stars. <\/p><\/blockquote><\/figure>\n\n\n\n

Hildegard Knef<\/strong><\/h4>\n\n\n\n

In 1951, a photo was taken of Hildegard Knef and Curd J\u00fcrgens together in Hollywood: for J\u00fcrgens, who was striving for a career in Hollywood, this photo came in handy. Today, a single photo would hardly suffice to boost a movie star’s career. Back then it was different: When J\u00fcrgens met Knef at “Schwab’s Drugstore” on Sunset Boulevard, then a hangout for many Hollywood actors, the photo of it went around the world. Before that, Knef had been very careful not to be spotted alone with J\u00fcrgens in a restaurant: She was too afraid of Hollywood’s gossip columns. A seemingly random photo of Knef and J\u00fcrgens innocently shopping in Hollywood seemed like a good opportunity for both to establish themselves as Hollywood stars. <\/p>\n\n\n\n

Hildegard Knef turned her back on Hollywood in the late sixties, disillusioned: Curd J\u00fcrgens fared differently. In 1951, however, Curd J\u00fcrgens was not yet ready for his Hollywood breakthrough. Nevertheless, various publicity campaigns, such as the joint picture with Knef, ensured that J\u00fcrgens was at least no longer an unknown quantity in the world of Hollywood. <\/p>\n\n\n\n

The Devil’s General<\/em><\/strong><\/h4>\n\n\n\n

In the fifties, J\u00fcrgens made one film after another in Germany and Austria: Directors and producers especially liked to cast him in uniform roles. His tall figure and natural authority predestined him for military roles. In the films Love Without Illusion <\/em>and Devil in Silk<\/em> (both 1955), the personalities he played already bore military traits. Although Curd J\u00fcrgens was not particularly keen on playing military roles, he celebrated his international breakthrough with a uniform role: in 1955, Curd J\u00fcrgens played the part of General Harras in the film version of the play The Devil\u2019s General<\/em> (play: Carl Zuckmayer, film version: Helmut K\u00e4utner). The film was so successful that Curd J\u00fcrgens won the Coppa Volpi for best acting performance at the 1955 Venice Film Festival. <\/p>\n\n\n\n

In The Devil\u2019s General<\/em>, J\u00fcrgens played a multi-layered role: on the one hand, General Harras can be characterized as a typical collaborator who supported the National Socialists on their way to power. On the other hand, J\u00fcrgens’ character changes completely and he suddenly represents the opponent of the Nazi regime par excellence. <\/p>\n\n\n\n

The success of The Devil\u2019s General<\/em> determined Curd J\u00fcrgens’ role profile during the next few years: J\u00fcrgens was cast in countless roles that revolved around the military during World War II. Thanks to his role in The Devil\u2019s General<\/em>, international cinema had now taken notice of Curd J\u00fcrgens: J\u00fcrgens once again played a general in the U.S. war epic The Longest Day<\/em> (1962), one of the last major motion pictures in black and white. The film brought together a large star cast, including John Wayne<\/a>, Robert Mitchum, Sean Connery<\/a> and Richard Burton. <\/p>\n\n\n\n

With his earlier roles, which were mainly military in nature, J\u00fcrgens found relatively little appeal among young people. That changed with his role as the James Bond villain. <\/p><\/blockquote><\/figure>\n\n\n\n

The Spy Who Loved Me<\/em><\/strong><\/h4>\n\n\n\n

With his role in the James Bond film The Spy Who Loved Me<\/em> (1977), two of Curd J\u00fcrgens’ dreams came true: on the one hand, he got the opportunity to immortalize himself in a huge franchise that was also known for character roles. On the other, his role as Bond antagonist Karl Stromberg resonated with young people: With his earlier roles, which were mainly military in nature, J\u00fcrgens found relatively little appeal among young people. That changed with his role as the James Bond villain. <\/p>\n\n\n\n

Records & Direction<\/strong><\/h4>\n\n\n\n

During the 1960s and 1970s, Curd J\u00fcrgens recorded several records: Most of the recordings were in the Schlager style and were reminiscent of Hans Albers or Freddy Quinn. His chanson 60 Jahre \u2013 und kein bisschen weise <\/em>[60 Years \u2013 And Not At All Wise], which appeared in 1975 alongside his autobiography of the same name, became particularly famous. In the film version of Bertolt Brecht’s play The Three Penny Opera<\/em> (1963), J\u00fcrgens sang, among other parts, Mack the Knife<\/em>. <\/p>\n\n\n\n

In addition to his work as an actor, he was also active as a director: Curd J\u00fcrgens made his directorial debut in 1950 with the Austrian crime film Pr\u00e4mien auf den Tod<\/em> [Premiums at death]. In the course of his career, J\u00fcrgens directed three more films. <\/p>\n\n\n\n

But he himself said that his own image was only partly created by himself: Much of his image had been created by the press.<\/p><\/blockquote><\/figure>\n\n\n\n

Image <\/strong><\/h4>\n\n\n\n

Curd J\u00fcrgens knew to present himself in public in order to be considered a star. But he himself said that his own image was only partly created by himself: Much of his image had been created by the press. Some sources claim that in his late film career his screen image merged with his real person: for example, the role of Karl Stromberg was a reminiscence of Curd J\u00fcrgens himself, who \u2013 like Bond antagonist Stromberg \u2013 preferred exclusive residences and seclusion from the rest of the world. <\/p>\n\n\n\n

Legacy<\/strong><\/h4>\n\n\n\n

Curd J\u00fcrgens’ legacy is extensive: his filmography includes a total of 141 titles. This makes him one of the German-speaking actors who appeared most frequently on the big screen in the 20th century.
With his later work as an actor, Curd J\u00fcrgens proved that he could still be successful when other actors of his era had long since withdrawn from the public eye. A pearl of his late work was his role in the Bond film The Spy Who Loved Me<\/em> (1977), which was also one of his last major roles. In 1979, Curd J\u00fcrgens appeared in the film Just a Gigolo<\/em>, for which Marlene Dietrich<\/a> appeared in front of a cinema camera for the very last time.
Curd J\u00fcrgens died in Munich on June 18, 1982. His rich film legacy continues to inspire numerous cinema lovers to this day.<\/p>\n\n\n\n

Simon von Ludwig<\/a><\/p>\n\n\n\n

Movie & TV at Der Bussard<\/a><\/p><\/blockquote><\/figure>\n\n\n\n

Main sources: The estate of Curd J\u00fcrgens<\/a> and Specht, Heike: “Curd J\u00fcrgens \u2013 General and Gentleman”, 2015 Aufbau publishing house<\/em><\/p>\n\n\n\n

Cover picture: Gstaad, Curd J\u00fcrgens’ house
Picture credit: ETH-Bibliothek Z\u00fcrich, Bildarchiv \/ Photographer: Comet Photo AG (Z\u00fcrich) \/ Com_L17-0708-0005-0001<\/a> \/ CC BY-SA 4.0<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Continued from part one His trip to America left a lasting impression on Curd J\u00fcrgens: On the one hand, he appreciated the courage of the …<\/p>\n","protected":false},"author":1,"featured_media":2201,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[247,246,144,3],"tags":[85,74,15,202,77,45],"class_list":["post-1263","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-german-cinema","category-hollywood","category-james-bond","category-movie","tag-actor","tag-art","tag-culture","tag-curd-jurgens","tag-james-bond","tag-movie"],"yoast_head":"\nCurd J\u00fcrgens: The Grand Seigneur (2.) – Der Bussard | EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/der-bussard.de\/en\/2022\/06\/19\/curd-jurgens-the-grand-seigneur-2\/\" \/>\n<meta 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