{"id":124,"date":"2020-06-05T09:54:00","date_gmt":"2020-06-05T07:54:00","guid":{"rendered":"https:\/\/der-bussard.de\/en\/?p=124"},"modified":"2023-04-03T13:58:28","modified_gmt":"2023-04-03T11:58:28","slug":"max-raabe-a-chanson-goes-around-the-world","status":"publish","type":"post","link":"https:\/\/der-bussard.de\/en\/2020\/06\/05\/max-raabe-a-chanson-goes-around-the-world\/","title":{"rendered":"Max Raabe: A chanson goes around the world"},"content":{"rendered":"\n

As co-founder and singer of the Palast Orchester from Berlin, Max Raabe sings numerous songs that for many people have long been a part of the past. But do the songs sung by Max Raabe really belong to the past? 
Not if Max Raabe sings them. \u201cWenn die Sonne hinter den D\u00e4chern versinkt\u201c, originally made famous by Greta Keller, is just one of many songs that Max Raabe revives. Greta Keller let the Viennese chanson sail around the world \u2013 Max Raabe lets the Berlin chanson, the Viennese chanson and many other chansons sail around the world.<\/p>\n\n\n\n

Raabe grew up in L\u00fcnen, a city in North Rhine-Westphalia and studied at the former Berlin University of the Arts, graduating in 1995 as a trained baritone opera singer. As early as 1986 the trained baritone founded the Palast Orchester with some fellow students. In 1992 the German singer achieved success with his self-written piece \u201cKein Schwein ruft mich an\u201c.<\/p>\n\n\n\n

Not only through his songs, but also through his style Raabe immerses himself in the cultural world of the Weimar years \u2013 when Max Raabe appears with his orchestra, he is always to be seen in a suit with a bow tie. The members of the Palast Orchester are also dressed in style. This can definitely  be regarded as an allusion to the lifestyle of the Weimar years \u2013 performances at that time were certainly similar to those of Max Raabe. <\/p>\n\n\n\n

It\u2019s fascinating that Max Raabe simultaneously accomplishes contemporary works: His albums \u201cK\u00fcssen kann man nicht allein\u201c or \u201cDer perfekte Moment\u2026 wird heut\u2019 verpennt\u201c bear traits of pop music, but are based on the style that is usual for Max Raabe. The albums consist of his own songs, which were often created in collaboration with Annette Humpe. The song \u201cFahrrad fahr\u2019n\u201c from the album \u201cDer perfekte Moment\u2026 wird heut\u2019 verpennt\u201c, for example, is a song of praise for riding a bicycle, whereas the song \u201cC\u00f4te d\u2019Azur\u201c shows a longing for love. <\/p>\n\n\n\n

All in all, Max Raabe is currently the only German artist who pays tribute to the music and style of the Weimar years and revives it on such a grand scale. For many people, Max Raabe is not a singer who simply revives old-fashioned things \u2013 he is rather a singer who takes songs from past years and interprets them in his own way. <\/p>\n\n\n\n

Simon von Ludwig<\/a> <\/p>\n\n\n\n

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Suggestions from the category Music<\/h3>\n\n\n
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As co-founder and singer of the Palast Orchester from Berlin, Max Raabe sings numerous songs that for many people have long been a part of …<\/p>\n","protected":false},"author":2,"featured_media":539,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[122,4],"tags":[],"class_list":["post-124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chanson","category-music"],"yoast_head":"\nMax Raabe: A chanson goes around the world – Der Bussard | EN<\/title>\n<meta name=\"description\" content=\"As co-founder and singer of the Palast Orchester from Berlin, Max Raabe sings numerous songs that for many people have long been a part of the past. 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